The Sudan:
|
1984 |
Beshir, Mohamed Omer, 1926- |
Litteratures Africaines francophones
|
1985 |
|
Towards African authenticity:
|
1985 |
|
Approaches to African identity
|
1986 |
|
Drama and theatre in Africa
|
1986 |
|
Interviews avec des ecrivains africains francophones
|
1986 |
|
Language and education in Africa
|
1986 |
|
Literature and African identity
|
1986 |
|
La Revolte des esclaves mercenaires:
|
1987 |
Oloukpona-Yinnon, Adjaï Paulin, 1948- |
Patterns of language knowledge and language use in Ngamiland, Botswana
|
1988 |
Voßen, Rainer, 1951- |
Three Yoruba artists:
|
1988 |
Beier, Ulli, 1922-2011 |
African and western legal systems in contact
|
1989 |
|
English in East and Central Africa 1.
|
1989 |
|
Essays on music in Africa 2. Intercultural perspectives
|
1989 |
Euba, Akin |
Kulankula:
|
1989 |
|
Perspectives on African music
|
1989 |
|
Linguistics in the service of Africa:
|
1990 |
|
Littérature et politique en Afrique noire:
|
1990 |
Anyinefa, Koffi, 1959- |
New religious movements and society in Nigeria
|
1990 |
|
Yoruba drumming:
|
1990 |
Euba, Akin, 1935-2020 |
Le champ littéraire togolais
|
1991 |
|
Akin Euba:
|
1992 |
Uzoigwe, Joshua, 1946-2005 |
English in East and Central Africa 2.
|
1992 |
|
Konflikte im kolonialen Alltag:
|
1992 |
Aas, Norbert, 1950- |
Survey of Zimbabwean writers:
|
1992 |
Veit-Wild, Flora, 1947- |
Anglophone Cameroon writing
|
1993 |
|
Gros-plan sur les femmes en Afrique:
|
1993 |
|
Contemporary relativism with special reference to culture and Africa
|
1994 |
Beyaraza, Ernest |
Erbrecht an Grund und Boden in Benin:
|
1994 |
Gbaguidi, Ahonagnon Noel |
The novels of Nuruddin Farah
|
1994 |
Wright, Derek |
Theatre and performance in Africa:
|
1994 |
|
Theatre for development
|
1994 |
|
Échanges franco-allemands sur l'Afrique:
|
1994 |
|
Aids education through theatre:
|
1995 |
Frank, Marion |
Author, publisher, and Gĩkũyũ nationalist:
|
1995 |
Pugliese, Cristiana |
Intercultural music 1.
|
1995 |
|
Intercultural music Tonkassette. Companion Cassette to Chapter 1: "Traditional Ashanti Dances as a compositional resource: Tachema-chema and Sikyi" / by Roy Travis
|
1995 |
|
Blackness:
|
1996 |
Abodunrin, Femi |
Contemporary Nigerian theatre:
|
1996 |
Obafemi, Olu, 1950- |
Land law and land ownership in Africa:
|
1996 |
|
Primary education and social integration:
|
1996 |
Nganda, Cecilia Namulondo, 1952- |
Contemporary African fiction
|
1997 |
|
Koloniale Konflikte im Alltag:
|
1997 |
Aas, Norbert, 1950- |
The legal profession in Tanzania:
|
1997 |
Twaib, Fauz, 1960- |
Nigerian art music:
|
1997 |
Omojola, Bode |
African women's literature, orature and intertextuality:
|
1998 |
Arndt, Susan, 1967- |
Contemporary Nigerian poetry and the poetics of orality
|
1998 |
Ezenwa-Ohaeto, 1958-2005 |
Dance, media-entertainment and popular performance in South East Africa
|
1998 |
Kerr, David |
A dreaming life:
|
1999 |
Twins Seven Seven, 1944-2011 |
Theatre and performance in Zimbabwe
|
1999 |
Rohmer, Martin |
Uganda: The cultural landscape
|
1999 |
|
History and theatre in Africa
|
2000 |
|
African language literatures and the political context of the 1990s
|
2001 |
|
Archetypal criticism of Kiswahili poetry:
|
2001 |
Wamitila, Kyallo Wadi, 1966- |
The hunter thinks the monkey is not wise ...:
|
2001 |
Beier, Ulli, 1922-2011 |
The novel and the politics of nation building in East Africa
|
2001 |
Simatei, Tirop P. |
Oral traditions and aesthetic transfer:
|
2001 |
Bodunde, Charles |
Bedi-Ngula:
|
2002 |
Philombe, René, 1930-2001 |
Creolisations in Nigerian theatre
|
2002 |
Dugga, Victor Samson, 1967- |
Languages in contrast
|
2002 |
|
Mongo Beti parle
|
2002 |
Beti, Mongo, 1932-2001 |
Writing the homeland:
|
2002 |
|
Yoruba poetry
|
2002 |
|
Omoluabi:
|
2003 |
Ogundele, Wole |
Remember Mongo Beti:
|
2003 |
|
Studies in African pianism:
|
2003 |
Omojola, Bode |
Theatre and performance in Africa:
|
2003 |
|
Theoretical issues in African music Buch.
|
2003 |
|
Theoretical issues in African music CD.
|
2003 |
|
Three Yoruba sacred choral works
|
2003 |
Omojola, Bode |
Identity, power, and culture:
|
2004 |
Wotsuna Khamalwa, John Placid |
The novels of Nuruddin Farah
|
2004 |
|
Role-play in South African theatre
|
2004 |
Frank, Haike |
Yorùbá royal poetry:
|
2004 |
Akínyẹmí, Akíntúndé, 1960- |
Cinema and social discourse in Cameroon
|
2005 |
|
Female identity in contemporary Zimbabwean fiction
|
2005 |
Berndt, Katrin, 1974- |
Religion in the context of African migration
|
2005 |
|
Theatre and environmental education in Cameroon
|
2005 |
Tiku Takem, John |
They keep their fires burning:
|
2005 |
|
Women in theatre for development in Cameroon:
|
2005 |
Samba, Emelda Ngufor |
Africa, Europe and (post)colonialism:
|
2006 |
|
Die Macht des Wortes:
|
2006 |
Loimeier, Manfred, 1960- |
Mapping alternative expressions of blackness in cinema:
|
2006 |
De B'béri, Boulou Ebanda |
Portraits for an eagle:
|
2006 |
|
Change aesthetics in anglophone Cameroon drama & theatre
|
2007 |
Ambe, Hilarious N. |
Subject, context and the contours of Nigerian fiction:
|
2007 |
Ezenwa-Ohaeto, 1958-2005 |
Theatre, performance and new media in Africa
|
2007 |
|
The theory practice discourse in initial teacher education:
|
2007 |
Namubiru, Proscovia Ssentamu |
Women as artists in contemporary Zimbabwe
|
2007 |
Bolzt, Kerstin |
Karibuni Wananchi:
|
2008 |
Koch, Jule |
Theatre for development in Kenya:
|
2008 |
Odhiambo, Christopher Joseph |
Africanity, islamicity, and performativity:
|
2009 |
Naʾallah, Abdul Rasheed, 1962- |
Text and theories in transition:
|
2010 |
|
African creative expressions:
|
2011 |
|
Rituals in Cameroon drama:
|
2011 |
Chiangong, Mforbe Pepetual |
Bantu languages and linguistics:
|
2013 |
|